This is a 43 min video presentation, the text can be read here http://the-simulon.blogspot.ca/ the information concerns a very important global issue of today on the subject of techno-cybernetic control of governments and society that is responsible for a great number of technologically unrelated global issues such as global capitalism, social media, social control, global exploitation, the global elite, bio-power, trilateral and unilateral economic domination, civil war, war in the Middle East, colonization, the world economy, Third World exploitation, famine, environmental issues, the politics of race, gender, sexuality and mental illness. A subject that is rarely if ever discussed in a global context. It was derived from a transcript I wrote on Gilles Deleuze's 1990 'Postscript on the Societies of Control' inspired by Gary Hall, Clare Bichall and Peter Woodbridge's 2010 text and video 'Deleuze's Postscript on Societies of Control' published in Culture Machine. It includes as well a historical overview of the antipsychiatry movement in France which Felix Guattari participated during the 1960's and 1970's. Integrated into the theory, the presentation also shows an exact correlation of Norbert Wiener's principle thesis of Cybernetics with the Deleuzian-Guattarian concept of gaseous and fluidic forms and flows of corporate capital in today's society, the micropolitics of control, deterritorialized assemblages, and distributed networks such as the internet, Facebook, social community organizing in neocapitalist democracies, IBM agenda, global policing, military police, community organization, enforcement and manipulation by technological monitoring and scanning of public spaces and information privacy issues.Social democracy and corporate governance is theorized in a post-structuralist interpretation of emerging globalization issues and pinpoints some of the mechanisms involved suggesting that politicians and the corporate entities that run their embodied governments (including the monetary economic system) are manipulated by humans who in turn are being controled at a higher level by invisible technological processes of cybernetics. A generalized model of technological control and cybernetic government -- the cutting edge of contemporary 'conspiracy' and cultural theory. If you follow the discourse of Zizek, Noam Chomsky, Chris Hedges , the occupy movement, Jean Baudrillard, simulacra,transhumanism and The Matrix movies you will gain immense insight and a philosophico-scientific account of what has been going on in the world today and the world of tommarow.

This is a 43 min video presentation, the text can be read here http://the-simulon.blogspot.ca/ the information concerns a very important global issue of today on the subject of techno-cybernetic control of governments and society that is responsible for a great number of technologically unrelated global issues such as global capitalism, social media, social control, global exploitation, the global elite, bio-power, trilateral and unilateral economic domination, civil war, war in the Middle East, colonization, the world economy, Third World exploitation, famine, environmental issues, the politics of race, gender, sexuality and mental illness. A subject that is rarely if ever discussed in a global context. It was derived from a transcript I wrote on Gilles Deleuze's 1990 'Postscript on the Societies of Control' inspired by Gary Hall, Clare Bichall and Peter Woodbridge's 2010 text and video 'Deleuze's Postscript on Societies of Control' published in Culture Machine. It includes as well a historical overview of the antipsychiatry movement in France which Felix Guattari participated during the 1960's and 1970's. Integrated into the theory, the presentation also shows an exact correlation of Norbert Wiener's principle thesis of Cybernetics with the Deleuzian-Guattarian concept of gaseous and fluidic forms and flows of corporate capital in today's society, the micropolitics of control, deterritorialized assemblages, and distributed networks such as the internet, Facebook, social community organizing in neocapitalist democracies, IBM agenda, global policing, military police, community organization, enforcement and manipulation by technological monitoring and scanning of public spaces and information privacy issues.Social democracy and corporate governance is theorized in a post-structuralist interpretation of emerging globalization issues and pinpoints some of the mechanisms involved suggesting that politicians and the corporate entities that run their embodied governments (including the monetary economic system) are manipulated by humans who in turn are being controled at a higher level by invisible technological processes of cybernetics. A generalized model of technological control and cybernetic government -- the cutting edge of contemporary 'conspiracy' and cultural theory. If you follow the discourse of Zizek, Noam Chomsky, Chris Hedges , the occupy movement, Jean Baudrillard, simulacra,transhumanism and The Matrix movies you will gain immense insight and a philosophico-scientific account of what has been going on in the world today and the world of tommarow.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

A deep dive exploration of the science and creativity in the making of 'Frequency'

Second film in the 10 film series titled The New Option. The slim plot once again has Stone leading a group of rag-tag group of SDU recruits (is the force so hard up that they're allowing their cadets to go around with spiked and dyed hair?), while his squeeze (Suki Kwan) is working on a kidnapping case. After Suki loses her gun, her squad is taken off the case, and it's up to Stone and his boys to save the day.

Upcoming movie soundtracked by Childish Gambino.

Two hoplessly out of their class con-men attempt to pull off the largest bank heist of the l9th century—by gaining the enmity of the most famous bank robber in the world and the affection of a crusading newspaperwoman.

An American direct-to-video film that features highlights and bloopers from the NBA from its beginning to the film's release in 1989. The film is hosted by broadcaster Marv Albert and former Utah Jazz coach and executive Frank Layden. The video features brief biographies of NBA personalities including Darryl Dawkins, Bill Walton, John Salley and Frank Layden, as well as footage of dolphins playing basketball, a group playing basketball while riding horses and a group playing basketball on ice skates. Recaps of the 1989 and 1990 NBA slam dunk contest are also shown.